Saturday, January 15, 2011

Work from Circa 2000-Eternal Guild

Lisa Marie Rasmussen was born in Wisconsin and finds her ancestral roots in Scandinavia, Germany and Ireland.
Lisa remains eternally grateful to her late mother, "Mickey," who cultivated her creativity and imagination, and who immersed her into the world of art. Her mother provided her with unyielding support, encouragement and inspiration. In addition, she taught her daughter to see that we are one with the natural world, a lesson that remains central to Lisa's work.

Lisa's creative process begins with the premise that we are connected to the universe. Through her art, she attempts to portray how the universe "speaks and dances in my eyes and in my soul." Her art is an expression of her core of being and her constant evolution. It taps into archetypal energies and engages the viewer into a surreal landscape of discovery.

Much of Lisa's art has been inspired by dreams. She finds that her dreams take upon new dimensions when she places them on canvas. Her paintings have enabled her to gained layers of "aha's" as well as elicit "aha's" within others.

Her art has also been inspired by transcendental experiences she has had during pilgrimages to sacred places around the globe. Such sites include the temples and mountains of Nepal, the catacombs of Peru, and the rainforest of Costa Rica.

Her vision is to continue to travel to sacred places and to help and guide those who wish to tap into their divine creative spirits. She hopes to inspire others to create and to become a light that helps persons realize our connection to each other, to all creatures and beings, to the universe and to the divine.

Lisa presently resides in the San Francisco Bay Area where she lives with her true loves - Griffen, Maya and Paulo - her cats.


Stonehenge
This piece is a surreal landscape about my visit to the sacred ruins of Stonehenge - my rediscovery and fascination with the Pagan connection to the universe. Red symbolizes the life force - the stones in green symbolize the creative element. Bodies and entities are intertwined within the composition. The power of this piece is its expression. It is truly a passionate piece. This resides in the permanent collection of the artist.


The Green Tara
The Green Tara is a bodhisattva - an enlightened being who refuses to go to nirvana until she enlightens all souls. She is the divine Mother - the mother of all the buddhas. She embraced me on a pilgrimage to the Nepalese mountains.
My journey to those mountains was one of healing. I had come to spread my recently deceased mother's ashes into the sacred landscape. I came with a tour group of 14 people. We hiked through the mountains each day. On the day of the most difficult climb, I fell terribly ill. I thought I was going to die. But I got through it. The next day, I felt rejuvenated. I saw the sun rise, and I embraced the beauty of the morning. I felt like I had died the night before, and that I had been reborn. I knew in my heart that this was the right day to spread my mother's ashes.

After breakfast, we began hiking again. In the afternoon, as we were ascending to a monastery in the mountains, I saw a magnificent river carving its way through the landscape passionately. My eyes were drawn above it. Three hundred feet on a cliff, I saw an image of the Green Tara. I was awestruck by the shooting stars painted above her figure. For a few moments, I felt connected to the eternal. I felt my mother communicating with me, telling me that she would always be with me.

On the evening I heard the shocking news of my mother's death, I stared at the sky hoping for an answer... a reason. Blazing through the Chicago night, I saw a shooting star... 'Mom'? That same evening, my older brother also saw a shooting star in the night, as he tormented over my mother's death. We both were moved to write and express this at her wake.

When I saw the shooting stars above the Green Tara, I knew that I was meant to be there at that moment in time. I felt my mother's love, and the warmth of her embrace. For a few moments, I felt that I was one with the universe, and that I would never be alone.

The stars and the Green Tara embraced me. I was filled with peace and a sense of letting go. I knew this place was where my mother wanted her ashes to be united with the universe.

Afterwards, on a short sabbatical in the Ozarks at my family home, my passion for the Green Tara spewed from my paintbrush and my soul. She has been my guardian from the moment I saw her on the cliff. She embraces the world, and assists all who ask for her guidance. She demonstrates her magic when one is letting go... and bliss transcends.

My website that has vanished was called Eternal Guild. I found this fragment on the The Real Meaning of Dreams

Friday, January 7, 2011

My Collectors, their Art ,and their Stories.


Chaos and Order
Acrylic on Canvas
36" X36"

My art is a metaphysical journey of discovery. Ever since childhood I have been fascinated with the liminal ---- the neither here nor there, the betwixt or the in-between. I found it to be a realm of pure possibility. The ancient Celts called this state Caol ‘ait or “thin places”, were the veil between the physical and spiritual worlds merge. I have found that through my creative process I can pass through a type of threshold that allows me to enter this realm of consciousness, where one can explore the interflow between soul and matter and between time and eternity.
This allure with “thin places” has also led me to explore transpersonal psychology and my own personal shadow through dream work and Jungian analysis. My art is a recorded event of my deep interest in mysticism and the natural world, as well as a passageway into my own mythical inversion of reality. It is my deep exploration into non-ordinary reality and the mysteries of the unknown.
A key element in my process is the study and travel to ancient cultures and sacred sites whose shamanistic worldview encompassed a belief in a magical Other World. My paintings or portals are visual archives that penetrate my unconscious. My surfaces are painted over layers of symbols and forms, recalling cave walls and ritual chambers. While creating I employ my two mental allies, instinct and intuition, to create a canvas of chaos and order

Collector: Richard(Rico) Bacon, actually was visiting John F Kennedy University for graduate school Fate would have it that my Solo Exhibition Caol A'it filled the A&C Gallery the whole installation connected with Rico's journey at that moment in time. He had an affinity with my work Chaos and Order and acquired it that very day that he had walked into the gallery.

Thursday, January 6, 2011

Image of the Day: It is time to let go...

Letting Go
Mixed Media
4"x 5"

Transformation: Alchemy Series
Pretty much all my Art is about transformation, but this is from a series that I did art around the science of Alchemy, and my own personal transformation. I was courageously confronting/addressing one of my personal demons through art. It was formalized in an amazing class taught by Mary Webster that I took at JFK in Arts and Consciousness during my M.F.A. program. I grew substantial in my own Art and within myself during that quarter. The art that I created is a marker of my experience.
The piece is a mixed media piece with acrylic paint, dead leaves, and the figure I got in Caba San Lucas Mexico,from a vendor on the street, who was selling the amazing and potent art of Dia de los Muertos (Day of the Dead). She did sadly say that this art form was dying, because of the youth were traveling to the cities and buying into American Culture. I combined each medium to create a composition that honored my internal demon and my ancestors. As I now know "it" has been passed unconsiously down from generation to generation.

For me during that powerful class I think I manifested my stuff that I wanted to heal via art, but I do not think I ever let go of my personal demon and today it is time to let go. After over four years of intensive Jungian Therapy.....

I am transforming my WV- I, you , me, and you again are so brave and courageous to be in this world. We all have brave hearts. Now it is time to take care of our Mama EARTH and THE amazing beings the exist with in. And so it is...

Here is good resource if you wish research and engage in Alchemy. Alchemy
& The Philosopher's Stone
or take the class with Mary Webster at JFK in Berkeley it will change your life and you ART!!

My Collectors, their Art ,and their Stories.

Mystery
Acrylic on Canvas
3'x5'

This was a painting that I did from a powerful dream. It was very strange dream about this mysterious hybrid creature, that just kept on staring at me from various vantage points. The hybrid looked like the white being on the canvas. I still today have no idea what he was or what was his meaning. All I do know is I was driven to draw a series of eight works on paper of this hybrid character in various scenes. Below is one image from the series.

As I was preparing for my solo exhibition Caol A'it, I intuitively decided to paint this hybrid creature life size.
Jais Booth fell in love with this mysterious image and she added it to her collection.
Collector: Jais Booth says about her own work, "My practice as an artist is inextricably linked with my 38 years of discipline and study in both eastern and western forms of alchemy – the alchemy of personal growth and transformation
" Also, in August 2008, Jais and I with twelve other artist opened the Red Door Gallery and Collective in the Art Murmur district of downtown Oakland. The Red Door was a collective with a vision of art to transform both individuals and communities. Our studio gallery exhibited art from various community service organizations, while our main gallery showcased transformative artists from around the country.
Jais and I also co-curated together two critically acclaimed exhibitions at the Red Door Gallery and Collective, Art and the Body Poltick, (with Lauren Odell Usher ) which was a follow-up show from Art Hazelwoods, Art of Democracy prestigious exhibition.As well we co-curated Myth, Magic, and Mystery, (with Cheja)which Jais documented in an Art catalogue.

Wednesday, January 5, 2011

My Collectors, their Art ,and their Stories.

Nordic Cross
Caol 'Ait Graduate Exhibition
Acrylic on Canvas
Size: 18" x 18"

This piece was inspired from an amazing journey in 2007, when my sister Tara and I visited the sacred sites of Ireland, primarily those that exist in the County of Slane. We had an amazing time driving through the beautiful country side visiting the powerful hubs of New Grange, Knowth, and the Hill of Tara. Also, we took an spectacular road trip up to the Giants Causeway in Northern Ireland.This adventure took me back to my ancestral roots as I am both Irish and Scandinavian.
When I returned home I started creating this work. It was a beautiful combination of layers upon layers of color. In my whole meditative process I used a lot of water to make the paint flow on its own accord.
JJ actually acquired this work for his wife Megan. He also wrote an amazing review of my whole solo exhibition Caol A'it. I think this work went to beautiful home. JJ and Megan love sacred sites and shamanism.


Collector: "Art made of, about and for the Earth and our spiritual connection to it has been integral to humanity since art-making first began. I find solace, teaching and identity in the natural and supernatural worlds, and I feel that it is my responsibility to share this experience with others through my art "
JJ Levin

Art Review from Cynthia Hanson

That is how I feel when I am visiting her studio with her paintings piled up or hanging from the walls all around us. I feel that her paintings are showing me both personal and universal truths. They are about Lisa, of course, but also about myself connecting to that which is dark and deeply within, or that which is light- arising and emerging to engage with in sacred conversation.


I view Lisa as a kind of artist/ archaeologist: using painting as a tool for expression, but in a manner that embodies self-discovery and excavation of connections that yield both personal and universal truths. There is also a strong element of healing in her work, not only for herself but for the Earth. "I see the sprit of the Earth as being continuously tortured, destroyed, and ostracized from civilization," Lisa says."I empathize with her pain and her victimization, but I also marvel at her power, strength, and spiritual resilience. I drawn upon my link with the earth and infuse my paintings with life force to activate the human/ divine connection to help create balance within our collective consciousness," She speaks of the earth as the "Ultimate Artist."I feel that by integrating the divinity of the natural world into my fear of our modern world," she goes on to say, "I will heal-thus equalizing myself and then the world."
Cynthia Hanson

Tuesday, January 4, 2011

Art Review by JJ Levine


WiThin Places
JJ Levine

Sitting unassumingly at a crossroads like a seeker awaiting their next life path, the
artist watches the art exhibit unfold. Patrons arrive, some familiar with the territory being
presented, some just to immerse themselves in the creative atmosphere they love so

much. The space held together by the works of MFA graduate student, Lisa Rasmussen.
Her paintings, photographs and installations on display this evening straddle the realms
of inspiration
, inner sight, and cross cultural phenomenon.

With healing light as the chosen medium, the artist openly invites anyone brave or
willing enough to trek mountain ranges of the psyche
, whether that is perceived as
personal or collective
. Voyagers around the room are spotted preparing to depart on
guided expeditions with individually assigned sherpas of the light, inter-dimensional
,
spirit guides, wielding paint while walking between the worlds. Operating in the neo-
shamanistic world of creativity as ritual, Ms Rasmussen assigns art materials to their
appropriate posts. Lines, stains and fields come alive with pigmented intention, making

. l .

the p~rceiver's reality feel like the rug just got pulled out from underneath them.

\

Lisa's ~acred intentions are painted multi-dimensionally, making marks on canvases with
ancient symbols, and then layering over with an image that the viewer finally sees. The
'presence of the Earth Mother herself is felt sweeping to and fro on a ground of pre-
meditated archaic ecstasy'; an intersection between Spirituality
, Divinity and the space-
time continuum. Her artworks, whenfeeling into them like portals
, open up like
windo
ws into alternate possibilities. While standing in front of one of Lisa's paintings, I
fell into it, falling into a wormhole showing another time and space. I saw a tunnel with a
bear's sleeping space similar to one I had seen while recently visiting Aillwee Cave in
Ireland. Upon returning to present reality
, I could feel that my vision and the painting
were connected somehow, through the energe
tics of place and time. Some would say that
that space holds a frequency that is both emot
ionally and spiritually familiar.

However, be weary, young travelers, for there is a dark side to the Thin Places that we' are
shown, that may not be other
wise realized. Another side privy to the naive, the
courageous, the initiated
, or even the uninitiated is that of the darkness of man's ascent
away from nature. Vie
wers intending to spend "Sunday afternoon in the park'", are
in
stead confronted with reflections of the black waters of their earthly existence..

Lisa Rasmussen has that angle covered as well; with artist's integrity, and angel's
guidance, she skillfully breathes life in
to the void. Taking the mirrors handed to
unsuspecting purveyors, the artist smashes them with subconscious, yet idylli
c, imagery.
The artist personally guides the viewer into her private life of meditative mem
ories,
artistic discipline and spiritual discovery.

1 Mircea Eliade, Shamanism: Archaic Techniques of Ecstasy. 1964; reprint, Princeton,
N1:Princeton Uni
versity Press, 2004. ISBN 0-691-1.1942-2

2 http://en.wikipedia.orglwiki/Sunday_in_the_Park _with_George