Showing posts with label sacred sites. Show all posts
Showing posts with label sacred sites. Show all posts

Saturday, July 2, 2011

Caol Ait!! Painting of the Day

The word Caol Ait (thin places) is a Celtic term that describes space and time.
In certain places like sacred sites or in nature, the veil from this world to the next is thinner.
My paintings are an exploration of Caol Ait or the in between. In the creative process time and space merge and hours can pass with the blink of an eye. Another of my great passions is traveling to sacred sites around the world. In 2008, I went to Ireland (my ancestral homeland) and visited New Grange, Tara and Knowth. True inspiration for my work.

Caol Ait is showing and is looking for a good home in San Rafael at the Terra Firma Gallery.
This amazing painting have perfect companions, the very meaningful,Shona Sculptures and the phenomenal Ethiopian painter, Wosene Kosrof.



Please stop by and say hi to Danielle, the Galleries Director and my work!
As always!!! Thank you Danielle for your continuous support!!

Thursday, January 27, 2011

Paintings for Sale

Lisa poured out The Thin Places for all to see. And in her hand the bending spree, in wistful, flowing, calming traumic interface, the witness be. Thinness of distinction. Thinness of discrepancy. The space between, the space unseen, the space where the twilight and the knowing sheen, find in each other the harmonic mean.

Spices emanating upward from the nestled mandala-savory-space, lubricating the nostrils with memories chased from deeper places sight unseen. Light and scent (!), we enter the scene, diving in towards the hidden seam. Paintings cast in measured care, with wildness constrained by just the bare mounts in the frames ringing evenly the room, holding in each a lingering tune, of the place where spirit and thisness meet.

A lozenge for the eyes and mind. Symmetries nestled in fun-filled calling mysteries bind. Pneuma. Anasazi. Darknesses, incomplete, faint, whistling memories that you barely taste again. The deeper reaches of the mind, trickling away in kind. Lingering whispers haunting so, bartered through the colors claimed in Ka and Bardo, the journey from each piece to another bringing with it a glancing blow. A living, feeling, beautiful, explosion inward away from the evening glow.

Linearity in Lil, shocking still, organized and regal. Containment stressed on that thinness undressed thoroughly saturating the acrylic finesse of boundary and order on yet another sinking beckoning regress. Moving me back and out and around, to touch and caress, the space, the place, my girl’s soft press. The art, for me, is a seeping, see, from hand and thought outward, and in to me. The expressions from you are a simple plea, for a return, a dance, some part of me.

Art that inspires, art that plants a seed, art that pushes and bleeds.
-Cameron Thrash


Transformation
24" x 36"
$1300



KA (SOLD)

Thin Places
36" x 36"
2 1/2" Deep Canvas
$2000
“A thin place,” “is a place where the boundary between heaven and earth is especially thin. It’s a place where we can sense the divine more readily."


Prana
24" x 36"
2 1/2 Deep Canvas
$1500
Prana means
Energy, Breath, Life force




Wabi Sabi (SOLD)


Wu Wei
24" x 36'
$1300
A key principle in realizing our oneness with the Tao is that of wu-wei, or "non-doing." Wu-wei refers to behavior that arises from a sense of oneself as connected to others and to one's environment. It is not motivated by a sense of separateness. It is action that is spontaneous and effortless. At the same time it is not to be considered inertia, laziness, or mere passivity. Rather, it is the experience of going with the grain or swimming with the current. Our contemporary expression, "going with the flow," is a direct expression of this fundamental Taoist principle, which in its most basic form refers to behavior occurring in response to the flow of the Tao



Griffen
24' x 36"
$1500
I exhibited this one at the LA art walk. I had several comments saying that it was the best piece that they had seen the whole evening


E-mail me at lisarasmussen08@gmail. com for inquiries.

Saturday, January 15, 2011

Work from Circa 2000-Eternal Guild

Lisa Marie Rasmussen was born in Wisconsin and finds her ancestral roots in Scandinavia, Germany and Ireland.
Lisa remains eternally grateful to her late mother, "Mickey," who cultivated her creativity and imagination, and who immersed her into the world of art. Her mother provided her with unyielding support, encouragement and inspiration. In addition, she taught her daughter to see that we are one with the natural world, a lesson that remains central to Lisa's work.

Lisa's creative process begins with the premise that we are connected to the universe. Through her art, she attempts to portray how the universe "speaks and dances in my eyes and in my soul." Her art is an expression of her core of being and her constant evolution. It taps into archetypal energies and engages the viewer into a surreal landscape of discovery.

Much of Lisa's art has been inspired by dreams. She finds that her dreams take upon new dimensions when she places them on canvas. Her paintings have enabled her to gained layers of "aha's" as well as elicit "aha's" within others.

Her art has also been inspired by transcendental experiences she has had during pilgrimages to sacred places around the globe. Such sites include the temples and mountains of Nepal, the catacombs of Peru, and the rainforest of Costa Rica.

Her vision is to continue to travel to sacred places and to help and guide those who wish to tap into their divine creative spirits. She hopes to inspire others to create and to become a light that helps persons realize our connection to each other, to all creatures and beings, to the universe and to the divine.

Lisa presently resides in the San Francisco Bay Area where she lives with her true loves - Griffen, Maya and Paulo - her cats.


Stonehenge
This piece is a surreal landscape about my visit to the sacred ruins of Stonehenge - my rediscovery and fascination with the Pagan connection to the universe. Red symbolizes the life force - the stones in green symbolize the creative element. Bodies and entities are intertwined within the composition. The power of this piece is its expression. It is truly a passionate piece. This resides in the permanent collection of the artist.


The Green Tara
The Green Tara is a bodhisattva - an enlightened being who refuses to go to nirvana until she enlightens all souls. She is the divine Mother - the mother of all the buddhas. She embraced me on a pilgrimage to the Nepalese mountains.
My journey to those mountains was one of healing. I had come to spread my recently deceased mother's ashes into the sacred landscape. I came with a tour group of 14 people. We hiked through the mountains each day. On the day of the most difficult climb, I fell terribly ill. I thought I was going to die. But I got through it. The next day, I felt rejuvenated. I saw the sun rise, and I embraced the beauty of the morning. I felt like I had died the night before, and that I had been reborn. I knew in my heart that this was the right day to spread my mother's ashes.

After breakfast, we began hiking again. In the afternoon, as we were ascending to a monastery in the mountains, I saw a magnificent river carving its way through the landscape passionately. My eyes were drawn above it. Three hundred feet on a cliff, I saw an image of the Green Tara. I was awestruck by the shooting stars painted above her figure. For a few moments, I felt connected to the eternal. I felt my mother communicating with me, telling me that she would always be with me.

On the evening I heard the shocking news of my mother's death, I stared at the sky hoping for an answer... a reason. Blazing through the Chicago night, I saw a shooting star... 'Mom'? That same evening, my older brother also saw a shooting star in the night, as he tormented over my mother's death. We both were moved to write and express this at her wake.

When I saw the shooting stars above the Green Tara, I knew that I was meant to be there at that moment in time. I felt my mother's love, and the warmth of her embrace. For a few moments, I felt that I was one with the universe, and that I would never be alone.

The stars and the Green Tara embraced me. I was filled with peace and a sense of letting go. I knew this place was where my mother wanted her ashes to be united with the universe.

Afterwards, on a short sabbatical in the Ozarks at my family home, my passion for the Green Tara spewed from my paintbrush and my soul. She has been my guardian from the moment I saw her on the cliff. She embraces the world, and assists all who ask for her guidance. She demonstrates her magic when one is letting go... and bliss transcends.

My website that has vanished was called Eternal Guild. I found this fragment on the The Real Meaning of Dreams

Tuesday, January 4, 2011

Art Review by JJ Levine


WiThin Places
JJ Levine

Sitting unassumingly at a crossroads like a seeker awaiting their next life path, the
artist watches the art exhibit unfold. Patrons arrive, some familiar with the territory being
presented, some just to immerse themselves in the creative atmosphere they love so

much. The space held together by the works of MFA graduate student, Lisa Rasmussen.
Her paintings, photographs and installations on display this evening straddle the realms
of inspiration
, inner sight, and cross cultural phenomenon.

With healing light as the chosen medium, the artist openly invites anyone brave or
willing enough to trek mountain ranges of the psyche
, whether that is perceived as
personal or collective
. Voyagers around the room are spotted preparing to depart on
guided expeditions with individually assigned sherpas of the light, inter-dimensional
,
spirit guides, wielding paint while walking between the worlds. Operating in the neo-
shamanistic world of creativity as ritual, Ms Rasmussen assigns art materials to their
appropriate posts. Lines, stains and fields come alive with pigmented intention, making

. l .

the p~rceiver's reality feel like the rug just got pulled out from underneath them.

\

Lisa's ~acred intentions are painted multi-dimensionally, making marks on canvases with
ancient symbols, and then layering over with an image that the viewer finally sees. The
'presence of the Earth Mother herself is felt sweeping to and fro on a ground of pre-
meditated archaic ecstasy'; an intersection between Spirituality
, Divinity and the space-
time continuum. Her artworks, whenfeeling into them like portals
, open up like
windo
ws into alternate possibilities. While standing in front of one of Lisa's paintings, I
fell into it, falling into a wormhole showing another time and space. I saw a tunnel with a
bear's sleeping space similar to one I had seen while recently visiting Aillwee Cave in
Ireland. Upon returning to present reality
, I could feel that my vision and the painting
were connected somehow, through the energe
tics of place and time. Some would say that
that space holds a frequency that is both emot
ionally and spiritually familiar.

However, be weary, young travelers, for there is a dark side to the Thin Places that we' are
shown, that may not be other
wise realized. Another side privy to the naive, the
courageous, the initiated
, or even the uninitiated is that of the darkness of man's ascent
away from nature. Vie
wers intending to spend "Sunday afternoon in the park'", are
in
stead confronted with reflections of the black waters of their earthly existence..

Lisa Rasmussen has that angle covered as well; with artist's integrity, and angel's
guidance, she skillfully breathes life in
to the void. Taking the mirrors handed to
unsuspecting purveyors, the artist smashes them with subconscious, yet idylli
c, imagery.
The artist personally guides the viewer into her private life of meditative mem
ories,
artistic discipline and spiritual discovery.

1 Mircea Eliade, Shamanism: Archaic Techniques of Ecstasy. 1964; reprint, Princeton,
N1:Princeton Uni
versity Press, 2004. ISBN 0-691-1.1942-2

2 http://en.wikipedia.orglwiki/Sunday_in_the_Park _with_George


Tuesday, March 30, 2010

That is Awesome! Indian Rock Eucalyptus Tree Shrine

Stream of consciousness..

Today is my Birthday and of course I had to take a mental health day off from work! Lately I have been really inspired to create tree shrines again. This one was a marker or a rite of passage for my birthday/rebirth, as well as an offering to this sacred place called Indian Rock in Berkeley.

Over the last couple months I have been walking to the Rock at least three times a week to meditate and heal. Today I thought I would pay homage to this amazing place with some ART.

When I arrived to the rock there was three people on it. I was feeling a little timid as I do not like to create my tree shrines in the public view. I love people to discover them, but I hate being watched while I create them.So I decided to walk around the rock and try find a place to create a shrine in solitude. As I was looking around I was fascinated by the little caves that exist at the bottom of the rock. It gave the sense of being at the Temple of the Moon in Peru, which was so mystical and amazing!! I have been to Peru twice and I love it!!
The little caves is were I decided to create my internal shrine. At first it was just going to be a rock shrine and then when I was walking around I discovered this Eucalyptus tree seed that was blooming like a mandala. It was fantastic. I placed the seed in the center of my eco-art and it was activated into a tree shrine. As I spent time with there, documenting the shrine I felt very connected to the internal mother Earth. Much like how I felt while I sat within the Temple of the Moon cave at the base of Huayna Picchu.

After photo documenting my Eco-Art I decided to take the seed with me and to ascend up the rock, where I began to create another shrine.







As I was photography my work, I was startled by this young rock climber. He glided by me and he seemed to just appeared from no where. He sat a short distance away from me in meditation for awhile. The rock is really a destination for a lot of folks. At all times of the day you can find people just hanging out. In groups or many times alone.



Then two young girls climbed up the rock. They were really being silly and taking goofy pictures of themselves on the rock. I decided to leave.



As I was descending the rock the girls discovered my shrine. And they exclaimed wow this is awesome! wow that is awesome!
AWESOME!! and they started taking photo's of it. I smiled within! That is what I want this art to do.

To evoke reverence for nature!